#Redacted film movie

As to the charge of misogyny that follows the director everywhere: Anyone who sees the suffering faces of the victims in Casualties and Redacted knows that De Palma not only despairs over what he’s showing us but implicates his own medium-his own male gaze-in the crimes against nature. Trama Cinque soldati americani di stanza in Iraq violentano e uccidono una quattordicenne, bruciano il cadavere e massacrano la sua famiglia.

#Redacted film movie

The movie is plenty gut-wrenching until then. I respect his impulse to shock us into further rage, but I didn’t look at them. And is it unpatriotic to point out that soldiers on their third tours of duty in a place where they have little knowledge of the culture, where they can’t tell who is on their side and who wants to blow them up, stand a good chance of losing both their moral compass and their minds?ĭe Palma was forced to mask the faces in Redacted’s postscript, photos of bloody Iraqi corpses-men, women, and children. It takes a long time, and who knows who’s inside it? All at once, you understand the corrosiveness of living all the time with that threat.

In the film’s best scene, we watch a car approach a checkpoint from the Americans’ point of view. Despite the presence of two American sociopaths (one named Rush, perhaps in honor of the radio commentator who likened torture at Abu Ghraib to frat-house antics), this is not an unsympathetic portrait. All right, the defense concedes all that, but the movie does a harrowing job of depicting the psychological toll of the occupation on both Iraqis and U.S. Revelation comes as business is set to be sold to French giant Eutelsat. In content it bears a strong resemblance to De Palma’s Casualties of War, but in form it’s a furious charcoal sketch: an assemblage of fake documentary footage, much of it from soldiers’ camcorders, with inserts of a French documentary (also fake) about the lives of Americans at a security checkpoint in Samarra.Ĭritics have called the movie crude and punishing.

Redacted is his fictionalized restaging of the rape and murder of an Iraqi girl and the killing of her family by American soldiers. Studio: Magnolia Pictures Director: Brian De Palma Screenwriter: Brian De Palma Starring: Kel ONeill, Ty Jones, Daniel Stewart Sherman, Izzy Diaz. Shot over three years, with unprecedented access, this film is a complex and nuanced. About The Film: A group of men trained by al-Qaeda are transferred from Guantanamo to the world’s first rehabilitation center for terrorists located in Saudi Arabia. Brian de Palma is one of cinema’s most hypnotic stylists, a virtuoso whose multilayered tracking shots can expand your perception of space, time, and motion onscreen so it’s a major statement when he throws away his jazzy technique and goes for something rough-hewn and immediate. With Jihad Rehab, she creates a fire that cannot be doused.' - Film Companion.